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Waiting for the Sunrise

A thin, upright pen handwriting face by Kimberly Geswein, based on a high school student's writing.

Handwriting 1 style by Kimberly Geswein OFL

Waiting for the Sunrise is a handwriting typeface by Kimberly Geswein, based on the writing of a high school student. Waiting for the Sunrise comes in one Regular style with 343 glyphs covering Latin and Latin Extended. It is released under the SIL Open Font License 1.1 and suits notes, captions, cards and other short informal text.

Waiting for the Sunrise font preview card
Preview drawn by trendhub from the font files.
Designer
Kimberly Geswein
Classification
Handwriting
License
SIL Open Font License 1.1
Styles
1 1 weight
Variable font
No
Glyphs
343
Languages checked
18 see the list
Last updated
version 1.001 2001

Official source: Google Fonts. Facts on this page were read from the font files and the source’s published data.

Try Waiting for the Sunrise

Sample text

Type over the sample to test your own words. The preview loads a Latin subset of Waiting for the Sunrise; the download contains the complete files.

Waiting for the Sunrise font specimen: alphabet, numerals and weights
Waiting for the Sunrise specimen: alphabet, numerals and weights. Image drawn by trendhub from the font files.

Weights and styles

  • Regular 400Waiting for the Sunrise Regular

About Waiting for the Sunrise

Waiting for the Sunrise is a handwriting typeface drawn from the way one high school student wrote. The specimen shows a thin pen line of even thickness, tall narrow capitals, and lowercase letters that mostly stand apart, with long descenders on g, j and y and a crossbar on t that runs well past the stem. Letter sizes and the baseline wobble a little, as real quick writing does. Kimberly Geswein borrowed the name from Lift Me Up, a song by The Afters, and writes that although the font was made during a dark period of her life, the result is a cheerful one. The family has a single Regular style of 343 glyphs in the Latin and Latin Extended subsets and is not a variable font. It is published under the SIL Open Font License 1.1.

Where Waiting for the Sunrise works

Handwritten notes in layouts
A thin, unjoined pen line makes margin notes, annotations and arrows on a page look written by hand.
Greeting cards and tags
Long descenders and loose letter sizes suit a short personal message inside a card or on a gift tag.
Social media quotes
A sentence or two at large size keeps the wobble of real handwriting visible in a post graphic.
Scrapbook and journal pages
Tall narrow capitals fit dates and captions beside photographs without taking much width.

Glyphs

!"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~¡¢

Latin and Latin Extended characters in the preview subset; the complete family has 343 glyphs.

Language support

The family contains the core letters these languages are written with:

  • English
  • French
  • German
  • Spanish
  • Portuguese
  • Italian
  • Dutch
  • Swedish
  • Norwegian
  • Danish
  • Finnish
  • Icelandic
  • Catalan
  • Polish
  • Hungarian
  • Slovenian
  • Lithuanian
  • Estonian

Character sets found in the files: latin, latin-ext. The language list is a check of required letters against the font, not a promise of typographic quality in each language.

License

SIL Open Font License 1.1Copyright (c) 2010, Kimberly Geswein (kimberlygeswein.com)

What the license allows

  • Use the fonts in personal and commercial work, in print, on the web and in apps.
  • Modify the fonts and build new versions from them.
  • Redistribute the fonts, on their own or bundled with software, as long as the license text and copyright notice go with them.

Conditions

  • The fonts cannot be sold by themselves.
  • A modified version must stay under the same license and cannot use a Reserved Font Name without the copyright holder's permission.
  • The authors' names cannot be used to promote a modified version without permission.

This is a short summary, not legal advice. The license text decides: read the full OFL text. A copy is included in the download.

Fonts that pair with Waiting for the Sunrise

Google Sans Flex Sans Serif

Waiting for the Sunrise is a handwriting face for headings; Google Sans Flex is a sans serif family with 9 weights that can set the body text beside it.

Amiri Serif

Waiting for the Sunrise is a handwriting face for headings; Amiri is a serif family with 2 weights that can set the body text beside it.

Montserrat Alternates Sans Serif

Waiting for the Sunrise is a handwriting face for headings; Montserrat Alternates is a sans serif family with 9 weights that can set the body text beside it.

Suggestions come from simple rules on the records: a contrasting classification and enough weights to carry body text. They are a starting point, not a verdict.

Use Waiting for the Sunrise on the web

Download the family and host the files on your own site, then declare them in CSS. Please do not link to the files on trendhub.net: preview files here are subsets and their addresses change.

CSS, self-hosted
@font-face {
  font-family: "Waiting for the Sunrise";
  src: url("/assets/fonts/WaitingfortheSunrise-Regular.ttf") format("truetype");
  font-weight: 400;
  font-style: normal;
  font-display: swap;
}

body {
  font-family: "Waiting for the Sunrise", cursive;
}

Or load it from the official source. Google Fonts serves Waiting for the Sunrise with this markup:

HTML, Google Fonts

Things to know

Very light stroke
The line is thin throughout and there is no bold, so the face needs size or a dark colour to stay visible.
Letters do not join
Despite the handwritten look, most lowercase letters stand apart in the specimen; it is print-style writing, not cursive.
Latin and Latin Extended
The 343 glyphs cover both Latin subsets; no other scripts are included.

FAQs

Is Waiting for the Sunrise free for commercial use?

Waiting for the Sunrise can be used in commercial work at no cost under the SIL Open Font License 1.1. The license also permits changes and redistribution, but the fonts cannot be sold by themselves and modified versions must remain under the same license. Read the license text for the exact terms.

Who designed Waiting for the Sunrise?

Waiting for the Sunrise was designed by Kimberly Geswein, who modelled it on a high school student's handwriting.

Where does the name Waiting for the Sunrise come from?

The name Waiting for the Sunrise is taken from Lift Me Up, a song by The Afters, according to the designer's notes.

How many weights does Waiting for the Sunrise have?

Waiting for the Sunrise has one weight, Regular 400, with no bold or italic.

Which languages does Waiting for the Sunrise support?

Waiting for the Sunrise includes the letters needed for English, French, German, Spanish, Italian, Dutch, Polish, Hungarian, Slovenian, Lithuanian and the Nordic languages.

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