Altın zeminli Japon dekoratif portresi

Based on the input image, reconstruct it as a decorative, poetic Japanese painting evoking the Rinpa school, while firmly preserving the charm of the person or character. Most important is not to lose the original charm of the person or character in the input image. Firmly retain the core of what makes them who they are: facial features, the impression of the eyes, hairstyle, hair color, expression, bearing, and atmosphere. On top of that, translate the overall presentation, composition, background, negative space, and decorativeness into a Rinpa-like aesthetic sensibility. The goal is not merely to make it look Japanese or dress it in a kimono. Keeping the person's charm as the protagonist, reconstruct it as a work of art through Rinpa's characteristic bold negative space, flat color planes, refined decorativeness, flowing composition, and the atmosphere of gold ground or folding-screen paintings. First, carefully read the core of the person's charm from the input image. Especially value the impression of the face, the mood of the eyes, the flow of the hair, the emotional warmth of the expression, and the cuteness or stillness of the character. In the finished image, do not turn them into a different person; make the charm of the original image immediately recognizable. The pose and composition may be changed to make the finished image more attractive. Flexibly reconstruct the person's orientation, how the body is shown, the position of the hands, the gaze, and the cropping. However, do not lose the characteristic atmosphere of the person from the original image. Give the composition Rinpa-like refined negative space and a sense of flow across the picture. Do not arrange it too symmetrically; give it natural asymmetry and rhythm. In the background and decoration, incorporate motifs evoking Rinpa. Decoratively and tastefully arrange wide negative space that makes use of gold ground or soft base tones, flowing water, clouds, the flow of wind, flowers, branches, seasonal plants, and wave-like curves. However, do not cram in too many elements, and do not let the background become the protagonist. Treat the decoration as something that sets off the person. Express plants and natural motifs with Rinpa-like simplicity and stylization. Do not render them too realistically in detail; arrange them as flat, refined forms. Even when adding a sense of season, do not become too explanatory; treat it merely as the lyricism and decorativeness of the picture. Make the colors elegant and decorative in the Rinpa manner. Center on gold, unbleached tones, ink black, ultramarine, malachite green, vermilion, white, and soft grass tones, with a palette that is calm yet feels splendid. Avoid a modern neon feel, strong glow, and a glittery digital look. The coloring should be flat and orderly, showing beauty through its planes. The lines should be delicate and orderly; restrain the strong highlights and thick-paint feel of modern anime. Rather than overdoing three-dimensionality, prioritize flatness, decorativeness, and the beauty of negative space. While keeping the charm of the person's facial features from the original, give the whole picture the stillness and dignity of a painting. The costume need not reproduce the original image exactly, but redesign it so it naturally suits the person's charm. Even when leaning toward Japanese dress, do not make it mere kimono cosplay or overuse flashy Japanese patterns. Prioritize the harmony between the person and the whole picture over the costume itself. Do not include any legible text within the picture. Do not turn it excessively into a poster; aim for a level of completion that stands as a single painting. Overall, create a quiet yet splendid work in which the viewer first feels that "the charm of the original person or character is properly preserved," and on top of that feels that "it holds the beauty of negative space, decoration, gold ground, flowers, and flow that evokes Rinpa."