Восточный постер в технике бумажного коллажа с крошечной фигуркой в сцене

【Theme / Event name】 【Main color field】 【Micro-scene】 【Cultural elements】 【Title text】 【Supporting info】 【Aspect ratio】 Design a cultural-event poster with a modern oriental editorial aesthetic. The core visual uses a "large color field + micro-scene" composition, adding a clear but restrained language of paper collage and watercolor texture. The image uses large, low-saturation color blocks as the primary visual subject, using the 【main color field】 to establish strong, complete large-form relationships. Through torn paper, layering, occlusion, enclosure, interweaving, hanging, diagonal extension, or negative white space, the color blocks can form abstract spaces such as mountains, waterfronts, courtyards, workshops, kites, or dyed cloth — but should not be drawn as ordinary realistic scenes. From a distance one first sees a clear large-color-field composition, still clearly identifiable at thumbnail size. All color blocks carry rich, authentic textures of handmade paper, watercolor paper pulp, and mineral pigments, with visible natural paper fibers, pigment sedimentation, slight impressions, rubbing marks, natural gradations, and irregular torn edges. The texture is fine and rich yet stays clean and intact — no grime, yellow stains, heavy damage, strong grain, or cheap vintage filters. Overall it presents a matte, natural, breathing paper tactility. Among the large color fields, add a 【micro-scene】 that is very small in scale but complete in content. The figures and props together occupy only about 2%–5% of the frame; the figure is genuinely doing something rather than standing and posing. Through action, objects, and spatial relationships, tell a clear little story such as flying a kite, playing the zither, drinking tea, making rubbings, sunning books, dyeing cloth, or making pottery. The figures' clothing is natural and restrained, unified with the overall cultural theme, and does not steal the primary visual of the large color field. The micro-scene may include a few 【cultural elements】, but control the quantity and information density. Props are naturally scattered or part of the figure's action — no product display, no crowded frame. You may set a very small warm-color node, a vermilion seal, a light, the moon, or an object's color as a finishing touch, usually within 1%–3% of the frame. The layout uses a restrained oriental editorial design language. The main title 【title text】 uses a refined Chinese serif (Song), Mincho, or a modern typeface with a publishing feel, at a not-too-large size with ample white space, making the text a secondary visual layer rather than huge typography crushing the frame. Supporting English, date, location, and event info use smaller sizes to form a clear information hierarchy. All text must have real meaning — no meaningless placeholder words like RANDOM, DESIGN, ART, STUDIO. The composition avoids mechanical centering and regular PPT grids, favoring asymmetric layout, ample white space, offset blocks, front-back occlusion, and density contrast. Create a reading experience of "simple with big forms from afar; texture, scene, and story up close." The overall style should present a fusion of modern oriental cultural poster, paper collage, watercolor texture, editorial design, and miniature narrative — sophisticated, natural, restrained, culturally refined, and with the finish of a genuine professional poster. Avoid: book-cover look, huge titles, traditional ink painting, ordinary Chinese-style illustration, realistic photographic backgrounds, PPT-style layout, commercial-ad feel, element pile-up, excessive ornamentation, dirty paper, random noise, plastic feel, 3D CGI, glass texture, neon colors, logos, watermarks, numbering, and starburst decorations.