Poëtische oosterse poster met één kleur op wit papier

【Original poem line】: fill in 【Two-character theme】: fill in 【Core mood】: fill in 【Core subject】: flower / setting sun / mist / wine cup / road / figure, etc. 【Poetic main color】: fill in, e.g. rouge pink, cinnabar orange, jade green, amber gold 【Color transformation】: emerge / fade / pass through / gradually dim / disappear, etc. 【Low relief】: mountain ridge / old road / flower trace / footprint / city wall / branch shadow, etc. 【Place】: fill in 【Date】: fill in 【English subtitle】: fill in Generate a 9:16 vertical oriental poetic minimalist art poster. Do not directly replicate the full classical scene in the 【Original poem line】; first find the most recognizable single 【Poetic main color】 in the poem, then let that color carry the emotion and narrative through the 【Core subject】 and 【Color transformation】. Use a near-pure-white premium handmade art paper as the background, preserving delicate paper fibers and natural press marks, keeping about 65%–75% large white space. Keep the subject small and clear; do not create visual impact through full-frame landscapes, giant figures, or many elements. Color must have an "origin." For example: the rouge pink of flowers, the cinnabar orange of the setting sun, the jade green of mountain mist, the amber gold of the farewell wine and light path. Colored areas concentrate on about 10%–20% of the image; the rest stays pure white, light gray-white, and low-contrast textures. Let the color transform, for example: colored petals gradually fade into a white low relief; the sunset keeps only one warm-orange round dot; transparent mist reveals jade green only after touching clothing and stones; the warm gold light path gradually returns to pure white after crossing the pass. Add to the background a white low relief related to the theme 【Low relief】, depicting already-vanished paths, flower traces, ridges, footprints, old city walls, or traces of people. From afar it stays clean; only up close does one discover the hidden information. The human figure is not a required element. When scale is needed, a tiny figure may be added; if the verse emphasizes "no one," "long journey," or "departure," human presence may be conveyed only through an empty gate, a wine cup, hoof prints, an old road, etc. All water lines, light lines, mist, petal trajectories, and roads must be continuous, soft, and natural, avoiding many breaks, fragmented lines, and messy AI textures. The main title uses the 【Two-character theme】, paired with a concise verse, the 【Place】, 【Date】, and 【English subtitle】, in a modern Song, Mincho, or premium Chinese serif typeface, staying accurate, concise, and editorial. Overall presentation: Wang Wei poetry × grand oriental white space × premium handmade paper × white low relief × a touch of poetic color × small subject × Editorial Design. The point is not to "color" the ancient poem, but to make the color itself part of the poetry.