Festivalposter met silhouet achter matglas

{character}, keep only the character's most essential body contour or a very small number of identity-recognizable silhouette features; do not directly show clear facial features or full clothing, transforming the character into an anonymized conceptual body image. The character stands behind a single sheet of milky, semi-transparent frosted glass or resin board, the body nearly upright, the overall contour extending vertically through the frame. Keep most of the body at a certain distance from the medium, forming a broad, soft, completely out-of-focus human shadow; at the same time, randomly choose a few parts among the head, arms, palms, knees, or legs to approach or press against the frosted surface, so those areas transform from the blurred silhouette into deep-black, slender, higher-clarity body fragments. Do not build the image on facial features, clothing details, or direct character display, but express the character's presence through body contour and partial forms. Use a vertical composition of about 2:3, with the character's main axis fixed in the central or center-left area, leaving more than half as large negative space around. Use a natural to medium-telephoto view near 50–85mm, shot at medium distance at eye level, without exaggerated wide-angle perspective. The space is fixed in three layers — "lens—frosted medium—character" — building depth with the foreground translucent board, partial sharp body fragments, and the blurred human silhouette behind. Use broad diffuse backlight behind the character, letting light pass through the space, be blocked by the body, and pass through the frosted surface to produce broad softened shadows. Keep a high-key milky gray-white and light cyan-gray background, with parts of the character compressed to near-black, adding only about 5% high-purity lemon yellow as the visual focus. The layout fixedly uses Swiss International Style grid design: beside the character place small date, location, number, and cultural-event description texts, forming a clear information hierarchy in a minimalist sans-serif typeface; one short main title set in large lemon-yellow type, the rest of the text kept black, white, or light gray. Maintain the texture conflict between extremely sharp text and an extremely soft photographic subject, and preserve large white space, asymmetric balance, low visual noise, and a printed-poster feel, ultimately forming a stable visual system of Swiss modernism × semi-transparent-medium conceptual photography × body fragmentation × minimalist cultural-festival poster.