Layout di poster editoriale con paesaggio orientale

[Theme]: {fill in} [Main color field]: {fill in} [Landscape]: {fill in} [Micro-narrative]: {fill in} [Chinese colophon]: {fill in} [Aspect ratio]: 9:16 Generate a highly polished minimalist Chinese-style art exhibition poster that fuses Eastern landscape negative space, modern editorial design, abstract color-field painting, and paper-based art. Use clean, warm ivory-white art paper as the background, and build the mood with an irregular [main color field] occupying about 40%–55% of the frame. The color block has the delicate texture of mineral pigment, gouache, silkscreen printing, and paper absorption, with natural edges and slight water marks and tonal variation inside, but stays clean, with no dirty or aged texture. Between the color field and the negative space, add a very thin ink-black [landscape], which may use distant silhouettes of coastline, ridgeline, forest, long causeway, or buildings. Add a very small [micro-narrative], creating a contrast of scale and a sense of story through "large color field × micro landscape × tiny figures/small buildings". The Chinese main title uses a tall, slim Song typeface or a modern Ming typeface, preferring vertical layout; pair it with small English serif, a date, FIELD NOTES, and other miniature editorial information, and add the [Chinese colophon], a few handwritten notes, and a tiny cinnabar-red seal. Keep "simple overall structure, rich micro-detail": minimalist from afar, layered up close. Each theme should newly design the flow of the color field, the landscape structure, and the narrative content—don't just swap colors and titles. Avoid: crude blank space, coarse flat fills, template color-swapping, giant black mountains, tourist illustration, excessive antique style, dirt/aging, random cracks, AI garbled text, UI, logos, watermarks, numbering, four-point star sparkles, and sparkle.