Ritratto editoriale di moda a figura intera dai toni terrosi

(FIXED IDENTITY + CINEMATIC EDITORIAL STYLE) Base (IDENTITY — CRITICAL): Ultra-realistic full-body cinematic photograph of a person (replace with my exact face, gender, facial structure, proportions, and skin tone — strict identity preservation). Do NOT beautify, idealize, or stylize in a way that alters identity. Preserve natural asymmetries, pores, skin texture, eye shape, nose structure, lips, and all unique facial features. The result must look like a real photograph of me, not a reinterpretation. Scene and composition: by Lagz. A minimalist studio fashion portrait with a muted olive-green background and a soft beige floor. Full-body framing, subject standing slightly off-center with a relaxed but confident pose. One hand resting inside the pants pocket, another one is holding a small bouquet of slightly wilted flowers (soft pastel tones, subtle and understated). Body weight shifted to one leg for a natural asymmetrical stance. Wardrobe (key to the style): Oversized brown blazer with soft structure and slightly dropped shoulders Light beige or off-white button-up shirt, slightly wrinkled and loosely tucked Thin brown tie, worn loosely and slightly off-center High-waisted, wide-leg trousers with a subtle checkered pattern (brown tones) Black leather shoes with a minimal, polished finish Fit intentionally relaxed and androgynous, leaning toward editorial fashion styling. Expression and pose: by Lagz. Neutral, introspective facial expression. Slightly distant gaze looking off-camera (not directly at viewer). Lips relaxed, eyes soft. Head slightly tilted upward or to the side, conveying calm confidence and quiet detachment. Lighting (very important): Soft, diffused studio lighting with a cinematic feel. Key light from one side (soft, indirect, large light source) Gentle shadows, no harsh contrast Subtle falloff across the body to create depth Slight warm tone overall Color and aesthetic: Muted, earthy color palette: olive green, beige, brown. Low saturation, slightly desaturated cinematic grading. Film-like color science (Kodak Portra / editorial magazine tone). Soft contrast, slightly matte finish. Lens and camera: by Lagz. Shot on 50mm or 85mm lens Full-frame camera look Slight depth of field but mostly sharp across subject Editorial fashion photography quality Textures and details: Visible fabric texture (wool blazer, soft cotton shirt, structured trousers). Natural wrinkles and folds in clothing (important for realism). Skin texture preserved (no plastic smoothing). General style: High-end fashion editorial, minimalist, androgynous aesthetic, cinematic realism, subtle storytelling through pose and styling. Negative prompt (VERY IMPORTANT): no beauty filter, no skin smoothing, no unrealistic symmetry, no exaggerated features, no cartoon, no anime, no over-sharpening, no glossy skin, no artificial lighting, no extreme contrast, no distortion, no identity change