Affiche d'épreuve riso avec portrait en trame et contour citron vert

{ "style_name": "Marked-Up Proofs", "style_slug": "riso-proof-halftone-keyline-collage", "canvas": "4:5 portrait, newsprint field #EFE9DC with heavy fiber grain and print noise", "color": { "paper": "#EFE9DC", "inks": ["signal red #E8231C", "ultramarine #2B2BD9", "lime keyline #A8E82B"], "photo": "black-and-white with a visible halftone screen — no colour in the portrait at all", "rule": "three inks on newsprint. Red carries the type, blue carries the hand, lime carries the cut path." }, "typography": { "headline": "two words in ultra-condensed heavy sans, signal red, scaled so large it crops off both the top and bottom edges; at least one full word must stay readable", "kicker": "1–2 rows of tiny mono caps along the top edge — the lab or practice name, a series number, a instruction line", "handwriting": "2 red handwritten notes per poster in a loose casual script, each pulling a thin leader line or arrow to a specific detail in the photograph — a curve, a grip, an angle", "bottom_band": "the series name and its number in bold black or blue caps across the foot, slash-separated" }, "image_treatment": { "portrait": "one practitioner, chest up, holding or touching their object; converted to high-contrast black-and-white with a coarse halftone screen", "cut_out": "the figure is masked from its background and the MASK PATH IS LEFT VISIBLE as a thin lime keyline tracing the entire silhouette, including the object", "scribble": "loose ultramarine ballpoint loops and hatch marks drawn over the hair and around the head — restless, unplanned, never decorative", "swatches": "2–4 rectangles of magnified material texture in grey halftone, scattered around the lower half at different sizes", "technical_fragment": "one small diagram per poster — a knob panel, a street map with a red route, a line drawing of the object, a pair of waveform readouts" }, "design_rules": [ "the headline sits BEHIND the figure and is always interrupted by it", "the lime keyline is unbroken and traces everything the subject holds, not just the body", "every red handwritten note must point at something real in the photo — no floating slogans", "the blue scribble stays on the head; it never migrates into the margins", "nothing is centred; alignment comes from the swatch rectangles, not from the figure" ], "swap_variables": { "practice": "night botany / field recording / pottery / city cycling", "headline": "BLOOM SHIFT / SIGNAL FEVER / FORM MEMORY / CITY FREQUENCY", "held_object": "anthurium leaf / cassette field recorder / black clay pitcher / faceted helmet", "swatches": "leaf veins / fabric weave / cracked clay slip / asphalt grain", "handwritten_notes": "petiole curve near the jaw · keep upright / note the curve where thumb rests · clay holds what time can't keep", "bottom_band": "NIGHT BOTANY · FIELD NOTE 01 / LISTEN CLOSE · SESSION 07 / 04 · 12 / CITY FREQUENCY · ROUTE 4x" } }