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Build a commercial still-life visual with subtle film softening around any theme object, placing the single most recognizable object of the theme on the central axis slightly to the right, magnified with close-up photographic texture as the visual center of gravity; the object rises from behind a tile counter that cuts into the lower edge from low-left to high-right, its base partly hidden by the counter, forming a monumental posture firmly held up by that diagonal. The tile counter occupies only a small area at the lower edge, with a warm glaze and restrained reflections; thin, light-colored grout lines form a neat grid that extends along the slanted perspective, establishing scale and pushing the gaze back to the focus. The upper half keeps a large translucent expanse of whitespace, using a high-brightness, low-to-mid-saturation cool color derived from the theme as a clean background, retaining only very fine even grain, slight brightness drift, and one soft luminous haze; the whole is bright, fresh, and carries the softness of old color advertising, with no dirt, wear, or heavy brown filter. The theme object shows, according to its own material, believable light transmission, reflections, delicate highlights, and internal layers, with clear but not over-sharpened edges; extract from the theme's imagery a cluster of highly saturated, small-volume attached details gathered near the object's upper edge, with a low-information light rectangular identifier panel embedded frontally, creating a pause between rich physical texture and a quiet flat plane. Colors derive from the theme's semantics without locking a specific hue: the large background stays light, bright, and low-saturation; the mid-area object and tiles share a deeper, more saturated analogous color relationship; a small amount of eye-catching color concentrates on the top details, the main title, and the bottom short line; light neutral tones serve the highlights and identifier panel; keep the warm-cool contrast clear, the color layers clean, and the focus vivid but not glaring. The text forms a vertical read of contrasting density along the central axis: at the top, two suspended lines of tiny copy—the first in compact bold all-caps condensed type with slightly opened tracking, the second in lighter, smaller italics; below, a short theme word forms a huge, high-contrast serif title, with tall letterforms, marked stroke contrast, centered and stable, in a dark tone echoing the eye-catching details on the object, followed by a smaller serif subtitle nestled close. Leave a breathing gap between the title and the top of the object; the text must not press on the physical body; at the very bottom on the tiles, place a line of tiny, compact, eye-catching-color all-caps caption, forming a beginning-and-end echo. All copy comes from the current theme, keeping information restrained, aligned to the central axis, with obvious size jumps; the image should look like a nostalgic product advertisement carefully arranged and shot in natural high-key light, with real materials and faint optical softening, bold whitespace, the advancing slanted counter, and a clear image-text order. —————— Theme: a berry-cream dessert-cup poster, highlighting a light, sweet product ideal for afternoon tea Supplement: show 3 related information points, keeping it usable as a commercial poster Aspect ratio: vertical 3:4