Affiche en relief de papier pressé à partir d'une photo

Turn each photo I upload into a separate high-end design poster, no multi-image collage; each photo is output individually. Use an overall 3:4 vertical composition, with the top and bottom areas strictly 1:1 in height, each occupying 50% of the frame. The top half keeps the original photo, preserving the subject's identity, structure, pose, real texture, natural light and shadow, and original color atmosphere, applying only a slight high-end photographic color grade to give it the quality of an art magazine, independent publication, and exhibition photography. To fit the aspect ratio, the sky, ground, or environmental background can be naturally extended, but the subject must not be stretched, distorted, or altered. The bottom half extracts the most recognizable **subject, contour, pose, and narrative relationship** from the photo and reconstructs them into a minimalist art poster with Chinese pressed-relief / paper-carving raised-and-recessed texture. The whole looks pressed into thick cream-colored paper, summarizing the subject with bas-relief, delicate shadows, minimalist line engraving, and restrained layers, not mechanically replicating details but preserving the most core structural features and spatial relationships, so one can recognize at a glance it is the same object as above. Depending on the subject type, it can be transformed into a bas-relief composition of a top-down view, front view, slight overhead, or axial extension, moderately preserving the environmental contour related to the subject, giving the image clear hierarchy, depth order, and the serenity of a museum display. The whole is based on large areas of cream, warm white, or light paper tone in the bottom half, with the subject and related elements uniformly presented in same-tone bas-relief, building layers through pressing height differences, edge shadows, and subtle light and shade; only in the subject's most crucial local structures or visual focus can a small amount of matte-gold detail and soft warm-white light be added to strengthen the core recognition point, avoiding cluttered colors, excessive decoration, and scene piling. The text must become part of the image structure, not an ordinary caption. Extract short text from the photo's subject identity, location attributes, thematic temperament, action state, or symbolic meaning, and you may use **title + keywords + a little numbering, location, or micro-annotation / philosophical aphorism**. The text uses a restrained gold or dark-gray serif / high-end editorial font, and can be placed on the central axis, below the subject, at the edge of the whitespace, or aligned with the relief structure, forming with the pressed subject a sense of order and exhibition-poster feel, rather than an information layer pasted on afterward. The overall style pursues **high-end, serene, minimalist, restrained, Oriental aesthetics, museum-poster feel, and paper-sculpture feel**. Whether the original is architecture, a person, animal, plant, object, vehicle, or natural landscape, the bottom half should maintain a clear and elegant visual echo between the real photograph and the pressed-relief reconstruction. Avoid garbled text, low clarity, subject deformation, cluttered colors, crowded composition, cheap 3D feel, and template feel.