Haz tuyo «Presentación editorial en PPT con titulares gigantes y condensados»

Create a creative editorial PPT in which giant, ultra-condensed titles pin down rounded image modules: use the functional asymmetry of New Typography to create leaps of title scale and active whitespace; unify title, image, body text, and footer with a modular grid and baseline rhythm; use Gestalt common region and continuity so rounded cards aggregate information and a single high-speed hand-drawn line crosses the gutter to lead to the focal point; use Itten's extension contrast to balance large areas of low saturation against small areas of high saturation. Draw on Jan Tschichold's active axis and functional hierarchy to organize the first read; on Alexey Brodovitch's radical cropping, image scale contrast, and image-text dialogue for the second read; and on Wolfgang Weingart, adding controlled transgressions, overlaps, and handwritten traces onto a clear grid as the single perturbation—the three collaborate without mechanical replication. Use a four-role palette: background field ~40%, highest lightness, lowest saturation, kept high-key; image support domain ~35%, desaturated or controlled low saturation to build mid-value layering; thematic identity color ~20%, mid lightness, mid-high saturation, concentrated in the giant title, keywords, and connecting lines; structural dark ~5%, lowest lightness, for labels, body text, and key edges. When a theme or brand color enters, map it once by role, preserving area proportions, lightness order, saturation drop, warm-cool adjacency, and shadow contrast, without changing the layout or image logic. Use a composite modular grid: the top forms a giant-type title band; the bottom is an unequal balance of a narrow focus card and a wide narrative card, with body text set in the wide card's quiet zone and fine information closing along the left and right edges at the base; reading order is giant title, image and capsule subtitle, caption, and footer; wide gutters and outer margins keep breathing room, and only the hand-drawn line and subtitle capsules cross the grid. The background supports with an even high-key matte paper texture; images use natural-light photography, hard-edged rounded masks, and restrained fine grain: small modules keep an association with the theme color, large modules are desaturated with close-range dynamic cropping; layer order is background, image card, text labels, single-stroke shorthand line, the shorthand line continuously fast-written, lightly varying in weight, with rounded turns and clean edges. Titles use ultra-bold, ultra-condensed sans serif, tight kerning, strong scale contrast, allowing the lower edge to be optically occluded by the image card; subtitles use high-density bold in rounded capsules; body text uses normal-width, medium-light-weight sans serif with generous line spacing; Chinese and Latin are calibrated by visual density, letter height, and baseline; the footer stays small but high-contrast. Overall feel: direct, dynamic, young, lucid, intimate, and decisive. Theme: analysis of Jiang Wen's films Different layout logic on each page 10 slides total