Póster de flor con pinceladas y tipografía china llamativa

Create a complete standalone 3:4 vertical art poster. Use a small number of broad, thick acrylic paint strokes to form the [SUBJECT] in space. Each stroke must directly define the contour, volume, and motion, summarizing the form through large blocks of color. Color palette: [COLOR PALETTE]. At close range, show parallel bristle grooves, paint accumulating at the beginning of each stroke, variations in thickness, and overlapping layers. The ends of the strokes gradually become thinner, split naturally, and occasionally show dry-brush edges. Keep the subject’s front-to-back structure clear. Side lighting reveals the thickness of the paint, occlusion relationships, and soft cast shadows. Make the details realistic without looking greasy. Include only the large text “[MAIN CHARACTER]” and the smaller text “Brushstrokes Form Volume” and “AI Art Daily Word.” Use a carefully designed [modern Chinese sans-serif typeface] with a strong contrast in font sizes. Composition and text placement: [COMPOSITION]. Use a clean solid-color background, large areas of calm negative space, a few powerful visual elements, and publication-grade art direction. Do not include smooth plastic ribbons, paper strips, metal, glass, or yarn. Do not depict real objects merely coated in paint. Do not create a flat oil painting. Do not add decorative borders, icons, irrelevant English, or any other text. Options: 1. Flower — Subject: an abstract flower with five broad petals. Its center and petals are formed from separate thick paint strokes that connect through overlapping layers, with no flowerpot. Color palette: coral-red and vermilion petals, one small bright-yellow stroke at the center, dark ink-green stem and leaves, a warm ivory background, and dark charcoal text. Main character: “Flower.” Composition: the flower opens from the lower right toward the upper left and occupies roughly two-thirds of the image width. Place the enormous character in the upper-left corner to create diagonal balance with the flower in the lower right. Preserve negative space in the upper right and lower left, and arrange the small text along the lower-left baseline. 2. Wing — Subject: an abstract bird shown in profile, flapping its wings toward the upper left. Form the wings with three broad, thick strokes, the body with one short, dense stroke, and the tail with two strokes tapering to sharp points. The bird’s posture must be instantly recognizable. Color palette: cobalt blue, deep indigo, and a small amount of ice blue, with a pale cool-gray background and cobalt-blue text. Main character: “Wing.” Composition: the bird occupies the upper half of the image, and its open wings create an upward diagonal motion. Place the enormous character in the lower-left area and the small text close to the bottom edge. Leave broad negative space in the center and lower right, keeping the subject and text separate. 3. Swim — Subject: an abstract goldfish shown in profile, swimming downward. The torso is a full, short brushstroke, while the spread tail fin is formed by three broad, thick strokes separated by gaps. The tail and body overlap in depth, producing a clear silhouette. Color palette: apricot orange, ochre red, and creamy white for the fish, with a solid deep navy background and creamy-white text. Main character: “Swim.” Composition: the fish curves from the upper left toward the lower right and sits in the lower-left central area. Place the enormous character in the upper right. Preserve a broad area of deep-blue negative space in the lower right and place the small text there, creating a strong contrast in density and brightness.