Retrato xianxia de barco en otoño con gasa y arce

9:16 vertical, high-precision ancient-style xianxia narrative portrait, Tang-dynasty fantasy aesthetic, with the refined finish of a leading-lady character poster; the overall image is quiet, soft, pensive, lightly melancholic and gentle, carrying the light narrative of an autumn riverside old ferry and the completeness of a finished character poster. The subject is a young adult Eastern woman, visual age about 20–28, with natural and distinct Eastern feminine features, not Westernized, not infantilized, no influencer face. She has a classic oval face, soft flowing facial contours, soft almond eyes, a reserved expression, a quiet, gentle and pensive gaze with a faint melancholy and an introspective sense of story, a delicate natural nose, soft detailed lips, presenting overall the gentle and restrained temperament of an Eastern xianxia heroine. Skin is delicate and translucent, with a soft glow under the warm golden soft light of an autumn afternoon. Makeup is a gentle apricot-pink look, of light translucent density, emphasizing blush, lip makeup and overall harmony. Base is thin, delicate, translucent and soft; eye makeup is softly blended in light apricot-pink, warm brown and soft rice-pink, highlighting the gentleness of the soft almond eyes, lashes naturally long, under-eye slightly brightened; blush in apricot or light peach pink, naturally distributed to enhance a gentle complexion; lip makeup in milk-tea rose, apricot-peach pink or soft bean-paste pink, of soft translucent texture, the overall makeup natural, gentle and fresh, not heavy and not influencer-style. Hairstyle is black smooth long hair, half down half up, slightly voluminous at the crown, long hair falling naturally, a few loose strands lightly brushing the face, hair fine and glossy, with slight movement in the riverside breeze. Headdress level is refined: a light-gold hairpin, small pearl tassels, warm jade-toned accents, delicate floral ornaments and a few chain decorations, paired with dainty earrings, overall refined and restrained. The clothing is layered gauze xianxia skirts, of medium ornateness for an ancient-style heroine's look, in an apricot-white champagne-gold palette, with apricot-white, warm cream-white and milk-apricot as main colors, soft cream-white and light milk-tea apricot as secondary colors, and champagne-gold, pearl and warm-jade accessories as accents. Fabrics are light and soft, mainly gauze, silk-feel, chiffon, soft layered materials and finely embroidered sheer gauze; the inner layer is a soft apricot-white long skirt, the outer layer overlaid with semi-transparent gauze and soft draping layers, the garment bearing small florals, vines, subtle flowing-cloud patterns, maple-leaf motifs or simplified auspicious-pattern embroidery, the waist with a simple refined champagne-gold waist ornament, fine pearl drops and soft tassels, overall light, fresh and ethereal. The scene is an autumn-maple old ferry, riverside dock, and stony bank with fallen leaves. The figure stands at the old ferry crossing or by the stony riverbank, the background a blurred riverbank, old ferry, maple leaves and warm-toned bokeh; visible are water reflections, stony bank with fallen leaves, wooden ferry dock, warm-orange maple leaves and a light autumn misty feel. The shot is a frontal slightly-angled half-body composition, the figure the absolute subject; one hand may lightly hold a sleeve, shawl, chest gauze layer or a small prop, the other falling naturally or resting near the waist, posture reserved and elegant, as if briefly pausing at the river, seeing someone off or waiting, forming a light narrative. Light is the warm golden soft light of an autumn afternoon, the face translucent and soft, hair, gauze, headdress and earrings with soft fine light, background shallow depth of field and blurred, not stealing focus. The overall requirement is high precision, high completeness, harmonious makeup, clear clothing layers, fine hair, a background with autumn atmosphere and a sense of story, while always maintaining character-poster-level subject presence and completeness, without a purely moody throwaway-shot effect.