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Generate a vertical structural visual poster around a specific theme, letting the core object emerge from a same-origin linear motion field rather than drawing the object first and then adding decoration. Use a low-noise paper surface as the largest breathing field; the main visual sits in the center or wherever the theme most needs weight, its recognizable contour pressed out by high-density repeated trajectories; the object keeps only essential edges, proportions, and folds, with its interior formed by misaligned strokes, short loops, trembling outlines, and repeated writing marks, creating an unstable quality. The peripheral background is diluted from the same linear motion, using lighter, more transparent, finer trajectories spreading from the subject toward all four edges, forming a density gradient of central high pressure, sparse edges, and local boundary crossings. The background lines need long diagonals, sharp-angle reversals, uneven intersections, and boundary-crossing motion, keeping the clean paper in continuous directional restlessness while preserving enough white space for the line pressure to stay clearly visible. Color uses an emotional color derived from the theme as the line system, distinguishing subject and background through transparency, thickness, and number of overlays; the central tangle is darker and more saturated, the outer trajectories lighter and lower in transparency; text uses black-gray or low-saturation neutrals to build calm order, with a few emphasis symbols allowed to carry the emotional color. The text is not a conventional title-body template but a thin, restrained, modern editorial marginal-annotation system: an entry title, time or status marks, side rulers, bottom short phrases, and small notes distributed around the line field, some set vertical or rotated, building a reading path through distance, weight, letter-spacing, and position. The overall finish approaches a private experimental poster after flatbed scanning, with rational typography restraining the bodily handwritten marks; white ground, monochrome emotional lines, black-gray micro-typography, and an unstable subject work together; the theme may change object, tone, color temperature, text, and density, but must keep subject and background same-origin, readable edges coexisting with a chaotic interior, line density decreasing from core outward, and information surrounding the central pressure field like a diagnosis and a confession. This theme: anxiety Use: typographic creative poster Ratio 9:10